Been watching a lot of amazing video essays breaking down screenwriting, screenplays and writing, as of late – big shoutout to Nerdwriter1 and Lessons from the Screenplay – so inevitably the gravitational pull of Christopher Nolan and the millions of theses produced on his films reeled me in like a Corellian corvette into the belly of an Imperial Star Destroyer.
Now, I am a Nolan fan, but his movies do have flaws. Okay maybe not flaws – let’s call hang-on-a-sec moments. As in, “Hang on a sec, how can the entire police force of Gotham become imprisoned in the sewers beneath the city for months (the entire police force, not even a desk jockey is left behind), only to emerge with the same amount of facial hair and body fat when Bruce breaks them out again?” Hmmm, maybe they lived on rat burgers like the underground dwellers in Demolition Man.
When you’ve got an intricate narrative going on, it can be difficult to keep all them plates spinning. And as a viewer, I am very forgiving. But, great as it is, and I do love the movie, there is one aspect of The Prestige that leaves me scratching my head. Now maybe it’s the dent in said head from using it a brake in a cycling-related fall a long time ago in a galaxy far, far away, and I’m missing something as a result of a latent brain injury.
But maybe not.
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