The supervisor got into the elevator without a word, leaving Megan slack-jawed on the fifth-floor landing, the mop slowly sliding from her grasp.
Surrounded by glass walls, the eyes of all the self-obsessed ants sitting at their desks in the open plan office beyond were on her, crawling all over her like even smaller, hungrier insects, desperate to know what had been said. As if seeing her gorilla of a supervisor pointing his finger in her face for the last five minutes with his other hand on his considerable hips, as if he were her father scolding her, didn’t give them enough of an idea.
It was partly her own fault this had happened.
But mostly theirs.
The Girl on the Train Before with All the Gifts and a Dragon Tattoo
Whatever I write next, that’s what it’s going to be called. Regardless of whether there’s even a girl in the story. Or a human for that matter. Never minds trains, gifts or tattoos of mythical fire-breathing beasts. I have to imagine that at some stage in the publication process, a version of this exchange sometimes takes place:
It’s okay to go where man has gone before. Once you go a different way.
I was about a quarter of the way into writing a new novel when I made a stomach-churning discovery.
With the second half of The Walking Dead Season 4 beheaded and Season 1 of The Strain with a stake through its chest, I desperately needed a new TV show to get my teeth (pun not entirely unintended) stuck into. Having nothing left in my To-Watch folder, I wandered off for a browse around the online shelves, where I came across a French TV series called The Returned.
Interesting.
That particular title (one couldn’t honestly say it was in any way unique) was one I had toyed around with for my book. Hmmm. What were the odds?
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